Tag: top ten

Top Ten Mobile DJ Tropical House Floorfillers

Mastermix Label Manager Richard Lee lists his top ten Tropical House floorfillers!

Brilliant track that has everything…great riff…awesome chorus…and that drop is quite nice too!

One of my absolute favourite Tropical House anthems. A beautiful song that sounds even better in the sunshine!


Top Ten Reggaeton Floorfillers for Mobile DJs

Reggaeton is a style of music featuring Latin & Caribbean vibes with a strong Hip Hop influence. This genre of music has been around since the 90s when it became huge in countries including Puerto Rico, Cuba & Columbia. Its popularity continued to grow across Latin American countries before exploding globally.

Here’s a quick reference of the top Reggaeton tracks for a mobile DJ to play, that will guarantee to fill the dancefloor!


TOP TEN MOBILE DJ 00S URBAN FLOORFILLERS

Mastermix DJ Dave Evans takes us back to the Old School – for some of us anyway!

As a DJ you sometimes get asked for “Old School RnB” or “Throwback Anthems”. But what is Old School nowadays? For people of my age (47, don’t remind me) it could be dipping back in to the 80’s for the likes of Jocelyn Brown or Luther Vandross or even some classic 90’s such as Mark Morrison or TLC.

But to your younger crowd, a ‘throwback’ could be something from 10 years ago. Considering that we are one year away from the new Roaring Twenties this blog is going to look back at 10 urban tracks from the 00s that still provoke a big reaction today, even when some are nearly 20 years old.

Instant hook with the strings, uplifting intro and smooth vocals. This record is one that you will hear a least once a night if you are out regardless if it was an Urban night or just a commercial venue. Great R’n’B record which spent nearly half a year in the charts. It seems strange though that he only had one other minor hit in 2004 and hasn’t been in the charts since. But at least he charted, unlike…

  • Serani – No Games

Released in 2009, this record has never been in the UK top 75, yet it is one of the most well-known urban records of the decade and one that is certain to fill any floor. A true “sleeper” track with a distinctive intro and smooth dancehall appeal, No Games is a great record.

Alongside Turn Me On, this record is 16 years old in 2019, unlike Kevin Lyttle, Beyoncé announced her departure from Destiny’s Child with a horn filled stomper of an anthem designed to make you strut onto the dancefloor and show the world just how fabulous you are. The only down point to this
track, for me, is the Jay-Z rap section which slows the track down a little but, taking that aside, Crazy In Love is a track which will always get reaction (unlike Single Ladies which is sounding dated now)

The song is too long, it has no real outro point to cut it down if you want to mix out of it early and it isn’t even Usher’s best song (U Remind Me). But, Yeah! Is his biggest hit and one that has stood the test of time with regards to filling a floor. A shorter version or one with a break in the middle would
make it better for DJ’s to work with but, as long as it makes people dance, I’ll keep playing it.

After 2 minor hits in the UK and as the first track released from their 3rd album. Where Is The Love exploded onto the scene and went straight to No.1 across the world with its message of peace and love that still resonates today. An end of night anthem certain to make people throw their hands up at the chorus and one for the ages.

Moving from the harder edge of Gimme The Light to a more commercial style of dancehall Sean-A-Paul found the formula to success and this track, along with Get Busy or Like Glue, will still work 13 years after it was first released and is one of the most requested records I get asked when working.

No list of 00’s Urban anthems would be complete without Mary J Blige and this string inspired anthem still holds up as a pure hip hop/soul fusion that tells you what to do. When she says “get you’re a** on the dancefloor” then you have to obey the queen.

This could have been “In Da Club” and if I was working a commercial venue then I would be more likely to play that than Candy Shop, but if you were doing a night more dedicated to urban music then Candy Shop would be the de-facto choice for a 50 Cent track. Heavy driving bass and powerful suggestive lyrics makes this a track for couples to “enjoy”.

“OH!” and with that vocal we are off on a 3:47 masterpiece of r’n’b dance music. A catchy chorus designed to evoke loud voices, and also the occasional shirt off combined with a funky back beat makes Hot In Herre a record that will ignite a dancefloor when dropped. Even though Dilemma was a bigger hit, this record still has the bigger crowd appeal

By the time Without Me was released, Eminem was already established as one of the most successful rappers in the world. Without Me managed to combine the lyrical fun of Real Slim Shady with a more commercial beat giving him his 3rd UK No.1, and a song that still works in both a commercial venue and a more specialised night with its bouncy chorus and strong lyrics.

In compiling this there are so many artists such as Rihanna, Notorious B.I.G, Missy Elliot, Akon and others that could quite easily have made the list. But this blog should give you a guide to tracks that for me, still fill a floor in 2019.

Where possible I’ve linked to the DJ Beats version of each track mentioned. With added 8 bar intro and outro beats, it makes live mixing seamless!

Need some more bursts of floorfilling inspiration? Check out our Top Tens for 90s Dance, 80s and Soul & Motown!

The Best Of Mashed Up!

The ultimate collection of Old School Mash Ups taking you back through the decades with a classic Mastermix twist! 30 exclusive 2-track mixes including Freaks vs. Flo Rida, Eminem vs. Batman, Shapeshifters vs. Usher, James Brown vs. Fatboy Slim, Daft Punk vs. Indeep, Black Eyed Peas vs. Natalie Imbruglia, Eminem vs. M and loads more.


10 Great Cover Versions

Mastermix Label Manager Richard Lee has compiled his favourite mobile DJ cover versions!

  • Yazz & the Plastic Population – The Only Way Is Up: Yes…this really is a cover version! The original was recorded in 1980 by soul singer Otis Clay but failed to chart in the UK. In 1988 producers Jonathon More & Matt Black (better known as Coldcut) recorded their version featuring Yazz, who had previously appeared on their hit ‘Doctorin’ The House’, and it topped the UK charts for 5 weeks. Ironically the track knocked Glenn Medeiros off number one with his cover of ‘Nothing’s Gonna Change My Love For You’ (George Benson) and was replaced at the top of the charts by Phil Collins with his version of ‘A Groovy Kind Of Love’ (The Mindbenders)! It is a party classic that continues to fill dancefloors when played and remains one of my favourite 80s tunes.
  • Mark Ronson feat. Amy Winehouse – Valerie: In fairness to The Zutons their original recording isn’t that bad but compare it to this version and there is no competition. Musician & producer, Mark Ronson, beefed up the track, increased the tempo and added the remarkable vocal talents of Amy Winehouse to create a floorfilling anthem that always seem to hit the spot!
  • Ike & Tina Turner – Proud Mary: This version is like a firework. Light the touch-paper and stand back. Slow burner to start but when it goes…wow! Originally penned in 1969 by John Fogerty and released by Creedance Clearwater Revival it has become a mobile DJ essential. On occasion I have reserved this as a bonus track to play after the final song of the night. Create a false ending, let your audience shout for more…then unleash this gem! A truly outstanding version of a brilliant song.
  • The Beatles – Twist & Shout: Written in 1961 and originally recorded by the Top Notes it is the version by the Isley Brothers that saw it become a global hit. In 1963 the Beatles recorded it for their first album ‘Please Please Me’ and it’s their interpretation that comes out on top for me. It has all the hallmarks of the Merseybeat style that became synonymous with the ‘Fab Four’. Gritty sound with immense passion…pure rock & roll.
  • Soft Cell – Tainted Love: Northern Soul fans will probably have something to say about this choice but the biggest selling single of 1981 is arguably one of the greatest cover versions of all time. Gloria Jones did an amazing job with the original recording that is a must-play for soul fans but Soft Cell’s cover gives it a good run for its money. There can’t be many events where this track isn’t played and you get another cover version if you decide to play the 12” version which mixes seamlessly into ‘Where Did Our Love Go’.
  • Run DMC feat. Aerosmith – Walk This Way: The opening drumbeats to this track are iconic and have been the backbone to many remixes & mixes over the years and as soon as you play this the audience engage and react with great approval. The fusion of rap & rock is perfect and take the original Aerosmith version to new heights by using a drum machine and turntable to reflect the music trends of 1986. It has everything needed to make it a brilliant cover version and a crowd pleaser.
  • Los Lobos – La Bamba: This is another classic example of a straight cover that is better than the original. In 1987 the biographical movie ‘La Bamba’ was released and told the story of singer Ritchie Valens. He recorded his version of the song in 1958 before he was tragically killed in a plane crash that was also to take the life of rock & roll legend Buddy Holly & radio DJ – The Big Bopper. The movie soundtrack featured several Valens tracks but it was this one that hit the number one spot and remains the preferred version by many DJs when playing “a bit of rock & roll”.
  • The Communards feat. Sarah-Jane Morris – Don’t Leave Me This Way : Selecting the right track to cover is essential and there can be no arguing that the Communards got it spot on with this Harold Melvin & the Bluenotes classic. The original is awesome, the Thelma Houston cover is brilliant but the Communards version is the one that stood out and continues to do so to this day. The vocals of Somerville & Morris work perfectly and there can’t be many better crescendos than the final part of this classic cover version when Jimmy Somerville delivers the awesome “Aaaaaaaaaaaahhhhh Baby!” before the last chorus kicks in and the crowd go wild…boom!!!
  • West End feat. Sybil – The Love I Lost : The early 90s saw a plethora of cover versions with this one standing head & shoulders above many of the others. Originally a hit for Harold Melvin & the Bluenotes in 1974 this version featured the driving vocals of Sybil and the creative production skills of West End…better known as Mike Stock & Pete Waterman. Silky smooth production ensured this track was a hit in 1993 and is still a favourite amongst many DJs today.
  • Madness – It Must Be Love: I make no excuses for selecting a track by my favourite as my number one. Hits including ‘Baggy Trousers’, ‘One Step Beyond’ & ‘My Girl’ had ensured that the group were amongst the biggest music acts in the UK.

In 1981 the group released a cover of a track written & recorded 10 years earlier by Labi Siffri. It reached number 4 in the UK and has become one of, if not the, most-loved of all songs by the Nutty Boys. The opening piano notes have become instantly recognisable, everyone knows the words and let’s be honest who doesn’t love a bit of Madness?